The way to love someone
is to lightly run your finger over that person's soul
until you find a crack,
and then gently pour your love into that crack.
~Keith Miller

Wednesday, September 19, 2012

Four Loves ... chapter 5/6 notes on Eros

PDF for Four Loves
written by C. S. Lewis, first issued in 1958

Chapter 4 Friendship
Chapter 5 Eros
Chapter 6 Charity




Chapter 5

Eros

By Eros I mean of course that state which we call "being in love"; or, if you prefer, that kind of love which lovers are "in". Some readers may have been surprised when in an earlier chapter, I described Affection as the love in which our experience seems to come closest to that of the animals. Surely, it might be asked, our sexual functions bring us equally close? This is quite true as regards human sexuality in general. But I am not going to be concerned with human sexuality simply as such. Sexuality makes part of our subject only when it becomes an ingredient in the complex state of "being in love". That sexual experience can occur without Eros, without being "in love", and that Eros includes other things besides sexual activity, I take for granted. If you prefer to put it that way, I am inquiring not into the sexuality which is common to us and the beasts or even common to all men but into one uniquely human variation of it which develops within "love" - what I call Eros. The carnal or animally sexual element within Eros, I intend (following an old usage) to call Venus. And I mean by Venus what is sexual not in some cryptic or rarified sense - such as a depth-psychologist might explore - but in a perfectly obvious sense; what is known to be sexual by those who experience it; what could be proved to be sexual by the simplest observations.(pg. 84)

Eros enters him like an invader, taking over and reorganising, one by one, the institutions of a conquered country. It may have taken over many others before it reaches the sex in him; and it will reorganise that too. (pg. 86)

Without Eros sexual desire, like every other desire, is a fact about ourselves. Within Eros it is rather about the Beloved. (pg. 87)

If we had not all experienced this, if we were mere logicians, we might boggle at the conception of desiring a human being, as distinct from desiring any pleasure, comfort, or service that human being can give. (pg. 87)

The reader will notice that Eros thus wonderfully transforms what is par excellence a Need-pleasure into the most Appreciative of all pleasures. It is the nature of a Needpleasure to show us the object solely in relation to our need, even our momentary need. But in Eros, a Need, at its most intense, sees the object most intensely as a thing admirable in herself, important far beyond her relation to the lover's need. (pg. 87)

We use a most unfortunate idiom when we say, of a lustful man prowling the streets, that he "wants a woman". Strictly speaking, a woman is just what he does not want. He wants a pleasure for which a woman happens to be the necessary piece of apparatus. How much he cares about the woman as such may be gauged by his attitude to her five minutes after fruition (one does not keep the carton after one has smoked the cigarettes). Now Eros makes a man really want, not a woman, but one particular woman. (pg. 86)

Very often what comes first is simply a delighted pre-occupation with the Beloved - a general, unspecified pre-occupation with her in her totality. A man in this state really hasn't leisure to think of sex. He is too busy thinking of a person. The fact that she is a woman is far less important than the fact that she is herself. He is full of desire, but the desire may not be sexually toned. If you asked him what he wanted, the true reply would often be, "To go on thinking of her." He is love's contemplative. (pg. 85)



Lewis asserts that he believes sex should be fun ... "gaiety" was one of his words. Then this:

But, it will be replied, the thing is serious. Yes; quad- ruply so. First, theologically, because this is the body's share in marriage which, by God's choice, is the mystical image of the union between God and Man. Secondly, as what I will venture to call a sub-Christian, or Pagan or natural sacrament, our human participation in, and exposition of, the natural forces of life and fertility - the marriage of Sky-Father and Earth-Mother. Thirdly, on the moral level, in view of the obligations involved and the incalculable momentousness of being a parent and ancestor. Finally it has (sometimes, not always) a great emotional seriousness in the minds of the participants.
But eating is also serious; theologically, as the vehicle of the Blessed Sacrament; ethically in view of our duty to feed the hungry; socially, because the table is from time immemorial the place for talk; medically, as all dyspeptics know. Yet we do not bring bluebooks to dinner nor behave there as if we were in church. And it is gourmets, not saints, who come nearest to doing so. Animals are always serious about food. (pg. 90)

For I can hardly help regarding it as one of God's jokes that a passion so soaring, so apparently transcendent, as Eros, should thus be linked in incongruous symbiosis with a bodily appetite which, like any other appetite, tactlessly reveals its connections with such mundane factors as weather, health, diet, circulation, and digestion. In Eros at times we seem to be flying; Venus* gives us the sudden twitch that reminds us we are really captive balloons. (pg. 92)

*Venus used here as sexual aspect of " in love" as:
The carnal or animally sexual element within Eros, I intend (following an old usage) to call Venus. And I mean by Venus what is sexual not in some cryptic or rarified sense - such as a depth-psychologist might explore - but in a perfectly obvious sense; what is known to be sexual by those who experience it. (pg. 84)

As nature crowns man in that brief action, so the Christian law has crowned him in the permanent relationship of marriage, bestowing - or should I say, inflicting? - a certain "headship" on him. This is a very different coronation. And as we could easily take the natural mystery too seriously, so we might take the Christian mystery not seriously enough.  We must go back to our Bibles. The husband is the head of the wife just in so far as he is to her what Christ is to the Church. He is to love her as Christ loved the Church - read on - and gave his life for her (Eph. v, 25). This headship, then, is most fully embodied not in the husband we should all wish to be but in him whose marriage is most like a crucifixion; whose wife receives most and gives least, is most unworthy of him, is - in her own mere nature - least lovable. For the Church has no beauty but what the Bridegroom gives her; he does not find, but makes her, lovely. The chrism of this terrible coronation is to be seen not in the joys of any man's marriage but in its sorrows, in the sickness and sufferings of a good wife or the faults of a bad one, in his unwearying (never paraded) care or his inexhaustible forgiveness: forgiveness, not acquiescence. As Christ sees in the flawed, proud, fanatical or lukewarm Church on earth that Bride who will one day be without spot or wrinkle, and labours to produce the latter, so the husband whose headship is Christ-like (and he is allowed no other sort) never despairs. He is a King Cophetua who after twenty years still hopes that the beggar-girl will one day learn to speak the truth and wash behind her ears. (pgs. 96&97)

Very interesting slant on these verses.  I haven't heard it preached or lectured like this before.

From Venus, the carnal ingredient within Eros, I now turn to Eros as a whole. Here we shall see the same pattern repeated. As Venus within Eros does not really aim at pleasure, so Eros does not aim at happiness.   ...  Even when it becomes clear beyond all evasion that marriage with the Beloved cannot possibly lead to happiness - when it cannot even profess to offer any other life than that of tending an incurable invalid, of hopeless poverty, of exile, or of disgrace - Eros never hesitates to say, "Better this than parting. Better to be miserable with her than happy without her. Let our hearts break provided they break together." If the voice within us does not say this, it is not the voice of Eros.
This is the grandeur and terror of love. (pg. 98)


We must not give unconditional obedience to the voice of Eros when he speaks most like a

god. Neither must we ignore or attempt to deny the god- like quality. This love is really and truly like Love Himself. In it there is a real nearness to God (by Resemblance); but not, therefore and necessarily, a nearness of Approach. Eros, honoured so far as love of God and charity to our fellows will allow, may become for us a means of Approach. His total commitment is a paradigm or example, built into our natures, of the love we ought to exercise towards God and Man. As Nature, for the Nature-lover, gives a content to the word glory, so this gives a content to the word Charity. It is as if Christ said to us through Eros, "Thus - just like this - with this prodigality - not counting the cost - you are to love me and the least of my brethren." ( pg. 101)


n. pl. prod·i·gal·i·ties
1. Extravagant wastefulness.
2. Profuse generosity.
3. Extreme abundance; lavishness.
...extravagance ... what a wonderful word!


But Eros, honoured without reservation and obeyed unconditionally, becomes a demon. And this is just how he claims to be honoured and obeyed. Divinely indifferent to our selfishness, he is also demoniacally rebellious to every claim of God or Man that would oppose him. Hence as the poet says :
People in love cannot be moved by kindness,
And opposition makes them feel like martyrs.
Martyrs is exactly right. Years ago when I wrote about
medieval love-poetry and described its strange, half makebelieve, "religion of love", I was blind enough to treat this as an almost purely literary phenomenon. I know better now. Eros by his nature invites it. Of all loves he is, at his height, most god-like; therefore most prone to demand our worship. Of himself he always tends to turn "being in love" into a sort of religion. Theologians have often feared, in this love, a danger of idolatry. I think they meant by this that the lovers might idolise one another. That does not seem to me to be the real danger; certainly not in marriage. The deliciously plain prose and business-like intimacy of married life render it absurd. So does the Affection in which Eros is almost invariably clothed. Even in courtship I question whether anyone who has felt the thirst for the Uncreated, or even dreamed of feeling it, ever supposed that the Beloved could satisfy it. As a fellow-pilgrim pierced with the very same desire, that is, as a Friend, the Beloved may be gloriously and helpfully relevant; but as an object for it - well (I would not be rude), ridiculous. The real danger is to me not that the lovers will idolise
each other but that they will idolise Eros himself. (pg. 102)

... rebellious to every claim of God or Man ... part of what Lewis is talking about there would be "in-loves" which shouldn't happen ... forbidden "in-loves" as adulterous affairs for example ... the heat of Eros makes these easy to justify for those in its throes ... with pitifully ruinous results as we all know ... Eros calls one to discount the costs. ... And, I'm thinking about this, pretty sure I think this and that it "fits" here ... The "fanning" of the fire of "Venus" detached from one's "Beloved" (Eros) as with porn or anything one might find sexually titillating isn't, can't be if Lewis reasoning is agreeable, isn't compatible with Eros.  This is my opinion ... men wonder what women want in bed ... I won't attempt to speak for the entire gender, but for me, this observation resonates ... "Now Eros makes a man really want, not a woman, but one particular woman."  It works ... in bed and outta bed I think. I read somewhere that ideally daily life, just being together, might be "foreplay".  I think Mr. Lewis is on to something here.  I think this is "cherish".

For one of the first things Eros does is to obliterate the distinction between giving and receiving. 
Just had to go back and find that line, because it is so super cool.  

And all the time the grim joke is that this Eros whose voice seems to speak from the eternal realm is not himself necessarily even permanent. He is notoriously the most mortal of our loves. The world rings with complaints of his fickleness. What is baffling is the combination of this fickleness with his protestations of permanency. To be in love is both to intend and to promise lifelong fidelity. Love makes vows unasked; can't be deterred from making them. "I will be ever true," are almost the first words he utters. Not hypocritically but sincerely. No experience will cure him of the delusion. We have all heard of people who are in love again every few years; each time sincerely convinced that "this time it's the real thing", that their wanderings are over, that they have found their true love and will themselves be true till death.
And yet Eros is in a sense right to make this promise. The event of falling in love is of such a nature that we are right to reject as intolerable the idea that it should be transitory. In one high bound it has overleaped the massive wall of our selfhood; it has made appetite itself altruistic, tossed personal happiness aside as a triviality and planted the interests of another in the centre of our being. Spontaneously and without effort we have fulfilled the law (towards one person) by loving our neighbour as ourselves. It is an image, a foretaste, of what we must become to all if Love Himself rules in us without a rival. It is even (well used) a preparation for that. Simply to relapse from it, merely to "fall out of" love again, is - if I may coin the ugly word - a sort of disredemption. Eros is driven to promise what Eros of himself cannot perform. (pgs.104&105)

Thus Eros, like the other loves, but more strikingly because of his strength, sweetness, terror and high port, reveals his true status. He cannot of himself be what, nevertheless, he must be if he is to remain Eros. He needs help; therefore needs to be ruled. The god dies or becomes a demon unless he obeys God. It would be well if, in such case, he always died. But he may live on, mercilessly chaining together two mutual tormentors, each raw all over with the poison of hate-in-love; each ravenous to receive and implacably refusing to give, jealous, suspicious, resentful, struggling for the upper hand, determined to be free and to allow no freedom, living on "scenes": Read Anna Karenina, and do not fancy that such things happen only in Russia (pg.106)  

My bold print.  Here, I will say to especially my adult children, that what "obey God" means should be agreed upon before the covenant of marriage is struck.  It really is a big deal.

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